Rob Smith has been working in the film industry for 25 years, designing, crafting and applying masks.

Early in his career, he created a mask for Robert Downey Jr. in the film *Chaplin*, directed by Richard Attenborough.

Over the past 25 years, he has worked on numerous box-office hits, TV series, adverts, music videos and major theatre productions, such as Andrew Lloyd Webber’s *The Women in White* and *The Wizard of Oz*. 

The world’s best make-up artists use the artificial blood he produces on a daily basis. In the film *Saving Private Ryan*, more than 700 litres of the artificial blood he produced were used.

Most recently, he created silicone prosthetics for the film *FILTH*, directed by Oscar-winning actor Jim Broadbent.   

Throughout his career, he has tackled a wide range of make-up artist tasks: werewolf transformations, ageing effects, simulating accidents, creating character make-up, and crafting severed limbs and heads.

A specialist in the design, fabrication and application of prosthetics for the film, television and theatre industries for over 25 years. Supplier of ‘industry standard’ super-realistic fake blood.

Early in his career, Rob Smith created prosthetic pieces for Robert Downey Jr. in Richard Attenborough’s *Chaplin* and has since worked on everything from blockbuster films to TV series, adverts, pop videos and prestigious West End shows (including Andrew Lloyd-Webber’s *The Woman in White* and *The Wizard of Oz*).

His artificial blood formulas are regarded as the best by make-up artists worldwide. 200 gallons were spilled in *Saving Private Ryan*! Recent work includes creating and applying silicone prosthetics for Oscar winner Jim Broadbent in *Filth*. Previous work includes werewolf transformation effects, ageing, casualty simulation, likeness, character and disguise make-up, as well as the creation of props such as severed heads and limbs.